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Natura morta / Stilleven
European works of Still life from XVI to XVIII century
edited by Ferdinando Bologna
Rome, 29th October - 17th December 1983
Cover image: Louise Moillon (Paris, 1610-1696), A basket of grapes with a wicker basket of peaches and other fruits
Oil on canvas, cm 98 x 118 | 
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Paesaggi italiani italianizzanti e fiamminghi ( Italian, Italianizing and Flemish Landscapes) of XVII and XVIII century)
edited by: Giancarlo Sestieri, Laura Laureati, Ludovica Trezzani and Didier Bodart. Introduction by Giuliano Briganti
Rome, 26th October - 21st December 1984
Cover image: Paul Brill (Antwerp, 1554 - Rome, 1626), Landscape with shepherds and hunters,
Oil on canvas, cm 111 x 180
Bibliography: M. Roetlisberger, De Brill à Claude: tableaux inédits, in 'Revue de l'Art', 1969, 5, p. 55 table 3. | 
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La figura nella pittura di genere (The Character in Genre Painting)
edited by Giancarlo Sestieri
Rome, 11st October - 11st November 1985
Cover image: Jean Baptiste Lambrecht (Antwerp, 1680? - post 1731), Group of countrymen and countrywomen absorbed on cleaning vegetables before a building,
Oil on canvas, cm 66 x 822 | 
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Paesaggi e nature morte dall'Italia e dall'Europa del nord tra XVI e XVIII secolo (Landscapes and Still lives from Italy and North Europe between XVI and XVIII centuries)
edited by Ferdinando Bologna
Rome, 12nd November - 30th December 1985
Cover image: Giovan Francesco Romanelli (Viterbo, 1610? - 8th November 1662), Allegory of Painting with flowers and fruits,
Oil on canvas, cm 97 x 134,5 - Unpublished work | 
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Paesaggi e nature morte dall'Italia e dall'Europa del Nord tra XVI e XVIII secolo (Landscapes and still lives from Italy and North Europe between XVI and XVIII century)
edited by
section Landscapes: Giuliano Briganti, Laura Laureati and Ludovica Trezzani
section Still lives: Ferdinando Bologna
Rome, 30th October - 24th December 1986
Cover image: Adriaen Van Utrecht (Antwerp, 12nd January 1599 - 5th October 1652 or 1653), A Lady at the fruit and vegetables Market,
Oil on canvas, cm 150 x 300 - Signed | 
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Scene d'interno, di genere e 'Bamboccianti' (Scenes of interiors and genre painting and 'Bamboccianti')
edited by Cesare Lampronti with the collaboration of Giuliano Briganti, Didier Bodart and Giancarlo Sestieri
Rome, 29th January - 2nd March 1988
Cover image: Bernard Keil (Helsingor, 1624 - Rome, 1687), Family of country people,
Oil on canvas, cm 151 x 190 | 
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Vedute e paesaggi Italiani, italianizzanti e Fiamminghi dal XVI al XVIII secolo (Italian, Italianizant and Flemish Views and Landscapes from XVI to XVIII century)
edited by Giancarlo Sestieri
Rome, 12nd November - 31st December 1988
Cover image: Hendrik van Lint (Antwerp, 1683 - Rome, 1763), The Parable 'Feed my sheeps' at the centre of a landscape with a lake,
oil on canvas, cm 75,5 x 99,5 - Signed
Provenance: Christie's, London, 8th July 1988, n. 104. | 
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Nature morte italiane ed europee dal XVI al XVIII secolo (Italian and European Still lives from XVI to XVIII century)
edited by Giancarlo Sestieri
Rome, 28th April - 15th June 1989
Cover image: Jan Pauwel Gillemans (Antwerp, 1618 - 1675), Still life with meatcake, spiny lobster, cup and wicker basket of fruits,
Oil on canvas, cm 70 x 100,5 | 
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Nature morte italiane ed europee dal XVI al XVIII secolo (Italian and European Still lives from XVI to XVIII century)
edited by Giancarlo Sestieri
Rome, 29th March - 12nd May 1990
Cover image: Luca Forte (Naples, 1600/1605 - before 1670), Vase of flowers, figs and apples,
Oil on canvas, cm 79 x 52 - Signed: 'Lucas Fort. f.'
Bibliography: E. Sestieri, Due Luca Forte, in 'Commentari', ott.-dic. 1972, pp. 376-380, tables 1 and 2.
A. Tecce, in Painting in Naples 1606-1705 from Caravaggio to Giordano, London, 1982, pp. 161-162, n. 53-54, tables 53-54.
F. Zeri, La Natura morta in Italia, Milano, 1989, table 1052.
Exhibitions: Londra, 1982, Exhibit of the Royal Academy of Arts, Painting in Naples 1606-1705 from Caravaggio to Giordano. | 
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Vedute e paesaggi italiani ed europei dal XVI al XVIII secolo (Italian and European Views and Landscapes from XVI to XVIII century)
edited by Giancarlo Sestieri
Rome, 26th February 10th April 1991
Cover image: Jan Frans Van Bloemen, also said 'L'orizzonte' ('The Horizon') (Antwerp, 1662 - Rome, 1749), Landscape with river,
Oil on canvas, cm 138,5 x 101 | 
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Nature morte e Paesaggi italiani ed europei del XVI e XVIII secolo (Italian and European Still lives and Landscapes of XVI and XVIII centuries)
edited by Giancarlo Sestieri with the collaboration of Laura Laureati
Rome, 12nd May - 30th June 1993
Cover image: Johannes Lingelbach (Frankfurt oder Mein, 1622 - Amsterdam, 1674), Open-air Market in a Roman Square,
Oil on panel, cm 104 x 74
(Art critic report by Laura Laureati) | 
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Dipinti italiani ed europei del XVII e XVIII secolo (Italian and European Paintings of XVII and XVIII centuries)
edited by Giancarlo Sestieri
Rome, 17th April - 29th May 1996
Cover image: Antonio Canal also said 'Canaletto' (Venice, 1697-1768), The entering of the Great Canal with the Customs' Point,
oil on canvas, cm 62 x 77,5
Bibliography: W. G. Constable, Canaletto. Giovanni Antonio Canal, 1697-1768, second edition edited by J. G. Links, Oxford, 1989, I, n. 161a, p. 263. | 
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Nature morte italiane ed europee del XVII e XVIII secolo (Italian and European Still Lives of XVII and XVIII centuries)
edited by Giancarlo Sestieri
Rome, 26th October - 15th December 2000
Cover image: Abraham Brueghel (Antwerp, 1631 - Naples, 1697) and Bernard Keilhau also said 'Monsù Bernardo' (Helsingor, 1624 - Rome, 1687), Still life of watermelons, melons, figs, grapes, peaches and other fruits, a crystal vase with flowers, a small boy and a little girl picking up grapes,
oil on canvas, cm 146,8 x 197,5 | 
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Maastricht 2002
edited by Maria Cristina Bagolan
Cover image: Gaspar van Wittel, also said 'Vanvitelli' (Amersfoort, Utrecht, 1653 - Rome, 1736), View of Posillipo Grotto in Naples,
oil on canvas, cm 75 x 99
Provenance: Rome, Albani collection; Milan, Castelbarco collection. | 
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Vedutisti, paesaggisti e pittori di architetture a Roma nel XVII e XVIII secolo (View, landscape and architecture Painters in XVII and XVIII centuries)
Rome, IIIrd Biennale 'Art and Collecting at Venice Palace in Rome', 25th October - 3rd November 2002,
Cover image: Paolo Anesi (Rome, 1697 - 1773), View of the harbour at Anzio with Corsini's and Albani's villas,
oil on canvas, cm 75,5 x 137
Provenance: Corsini Collection
Bibliography: F. Petrucci in A.A. V.V., Castelli e castellani. Viaggio attraverso le dimore storiche della Provincia di Roma, Palazzo Chigi in Ariccia, 19th July - 20th October 2002, Rome, p. 52, n. 18. | 
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Nature morte lombarde del XVII e XVIII secolo (Lombard Still lives of XVII and XVIII centuries)
The art critic reports of the paintings are edited by Giancarlo Sestieri, the catalogue is edited by Maria Cristina Bagolan
Milan, 7th April - 20th May 2003
Cover image: Pier Francesco Cittadini also said 'The Milanese' (Milan, 1613/16 - Bologna, 1681), Still life with hourglass and vase of flowers, skull, candlestick, sword, violin, various papers, some bread, an ink-pot laying over a table covered with a carpet,
oil on canvas, cm 108,5 x 155
Bibliography: Nature morte italiane ed europee del XVII e XVIII secolo, catalogue edited by Giancarlo Sestieri, Roma, Galleria Cesare Lampronti, 26th October - 15th December 2000, n. 13, pp. 20-21. | 
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Maastricht 2004
edited by Marzia Moschetta
Cover image: Gaspar van Wittel, also said 'Vanvitelli' (Amersfoor, Utrecth, 1653 - Rome, 1736), View of Ronciglione,
oil on canvas, cm 75 x 100
Provenance: Rome, Briganti's collection.
Expertise: Giuliano Briganti, written art critic report, 16th December 1973
Bibliography: G. Briganti, Gaspar van Wittel e l'origine della veduta settecentesca, Roma, 1966, p. 223, n. 141; Vanvitelli e altri vedutisti, catalogo della mostra, Roma, 1966, n. 24; A. Cottino, Vedutisti, 1991, fig. 78; G. Briganti, Gaspar Van Wittel, new edition edited by Laura Laureati and Ludovica Trezzani, Milan, 1996, pp. 98, 214, n. 228. | 
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Vedute di Venezia e capricci lagunari del XVIII e XIX secolo (Views of Venice and Lagoon capriccios of XVIII and XIX centuries),
edited by Marzia Moschetta
Milan, 15th April - 25th May 2004
Cover image: Giovanni Antonio Canal, also said 'Canaletto' (Venice, 1697 - 1768), Venice, the Great Canal from the Rialto Bridge,
oil on canvas, cm 61 x 92,5
Provenance: Murray Guthrie, Duart Castle, Isle of Mull; Knoedler, London; Viscount Rothermere; Arthur Tooth and Son, London, till 1944; J. V. Rank, London; American private collection; Matthiesen Fine Art Ltd., London-New York.
Expertise: J. C. Links, letter dated on 12nd June 1995 (with the alleged art critic report about the painting) | 
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Pittori di vedute, di prospettive e di paesaggi nella Roma del '600 e '700 (Views, landscapes and perspective Painters in Rome in XVII and XVIII centuries)
edited by Marzia Moschetta
Rome, IV Biennale 'Art and Collecting at Venice Palace', 29th October - 7th November 2004
Cover image: Gaspar Van Wittel, also said 'Vanvitelli' (Amersfoort, Utrecht, 1653 - Rome, 1736), View of Sisto's Bridge in Rome,
oil on canvas, cm 50 x 100
Provenance: France, Private collection
Expertise: Laura Laureati - Ludovica Trezzani, written art critic report dated Rome, 16th September 2004. | 
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Maastricht 2005
edited by Marzia Moschetta
Cover image: Bernardo Bellotto (Venice, 1722 - Warsaw, 1780), Venice, The Entering of the Great Canal with the Customs' Point and the Church of Saint Mary of Health,
oil on canvas, cm 62 x 97,5
Provenance: Anonymous sale ('The property of a Gentleman, removed from his house in Piccadilly', as Canaletto); Colonnello Unthank; Robinson and Fisher, London, 27th-28th May 1897, lot 79 (as Canaletto); Edward Speelman, London (as Canaletto); Frank Partridge, London (since 1954, as Canaletto); H. J. Joel, London, since 1962 (as Canaletto); Gallery Cesare Lampronti, Rome (as Canaletto); Derek Johns, London (as Bellotto).
Expertise: G. Knox, written art critic report, 24th February 1995 (as Canaletto); E. Martini (as Canaletto); D. Succi, written art critic report dated 17th May 1995 (as Canaletto); A. Bettagno, oral art critic report (as Bellotto); E. P. Bowron, oral art critic report dated March 1999 and written art critic report (as Bellotto). | 
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Vedute e capricci di Venezia nel corso del Settecento e dell'Ottocento (Views and Capriccios of Venice during XVIII and XIX centuries)
edited by Marzia Moschetta
Rome, Autumn 2005
Cover image: Giovanni Antonio Canal, also said 'Canaletto' (Venice, 1697 - 1768), Venice, the Redemptor's and Saint James' Churches seen from South towards the Giudecca Canal,
oil on canvas, cm 46,7 x 76,7
Provenance: Sir Richard Neave (1731-1814), Dagnam Park, Essex; to his descendants till just before 1891 (probably put up for auction by Sheffield H. M. Neave at Christie's, London, 27th June 1885, lots 25-26 and withdrawn before the auction); G. A. F. Cavendish Bentinck, London and Brownsea Island; auction of his property after his death at Christie's, London, 11st July 1891, lots 625-626; Lesser, London; Willson Bros., Pall Mall, London; Sir George Leon, London; Savile Gallery, London (till 1928; Canaletto, catalogue of the exhibit, January 1930, n. 9); Mark Oliver; Arthur Tooth & Sons, London (catalogue of the exhibit, November-December 1952, nn. 2 and 4; Walpole Gallery, London; private collection.
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Maastricht 2006 - Exhibition of Century XVII and XVIII Paintings,
edited by Marzia Moschetta
10th - 19th March 2006
Cover image: Bernardo Bellotto (Venice, 1722 - Warsaw, 1780), Venice, The Great Canal from Contarini's Palace from the Scrigni towards Rezzonico's Palace,
oil on canvas, cm 61 x 92,7
Provenance: John Blackwood (died in 1777), Soho Square, Londra; transmitted for descent to his great-grandson William Ralph Cartwright (1771-1850), Aynhoe Park, Northampton; transmitted for descent to his son Sir Thomas Cartwright (1795-1850), Minister Plenipotentiary of Diet of Frankfurt (1830-1838) and of Stockholm (1838-1850); transmitted for descent to his son William Cornwallis Cartwright (1825-1915); Sir Fairfax Leighton Cartwright (1857-1928), English Ambassador in Wien (1908-1913); transmitted for descent to his son Richard Fairfax William Cartwright (1903-1954); Elizabeth Carwright-Hignett; by the latter put up for auction, Aynhoe Park, 1959; Richard Green, Londra (1993); Private collection, New York (from 1993 onwards, as Canaletto).
Exhibitions: London, British Institution, 1839, n. 63 (for granting of William Ralph Cartwright).
Bibliography: G. Baker, The history and antiquities of the County of Northampton, I, 1822-1830, p. 549 (as Canaletto); M. Levey, National Gallery catalogues: the Eighteenth Century Italian schools, London, 1956, p. 14 (as Canaletto); T. Pignatti, Il quaderno di disegni del Canaletto alle Gallerie di Venezia, Milano, 1958, p. 35; W. G. Constable, Canaletto: Giovanni Antonio Canal 1697-1768, publ. Oxford, 1962 (and the latest editions edited by J. G. Links), I, table 44, II, n. 201 (as Canaletto); L. Puppi, L'opera completa del Canaletto, Milano, 1968, p. 98, n. 90B (as Canaletto); M. Levey, National Gallery catalogues: the Eighteenth Century Italian schools, London, 1971, p. 22, note 13; J. G. Links, Canaletto: the complete paintings, London, 1981, p. 34, n. 94 (as Canaletto); A. Corboz, Canaletto, una Venezia immaginaria, Milano, 1985, II, p. 627, n. P202 (as Canaletto); A. B. Kowalczyk, Il Bellotto italiano, doctorate thesis, Università degli Studi di Venezia, 1996, n. 14; eadem, I Canaletto della National Gallery di Londra, in 'Arte Veneta', 53, 1998, p. 94, note 9; J. G. Links, A supplement to W. G. Constable's Canaletto: Giovanni Antonio Canal 1697-1768, London, 1998, p. 21; C. Beddington, Bernardo Bellotto and his circle in Italy. Part I: not Canaletto but Bellotto, in 'The Burlington Magazine', CXLVI, n. 1219, October 2004, pp. 668-669, 671, picture 18. | 
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XXIII Biennale des Antiquaires - Grand Palais, Paris
edited by Marzia Moschetta
Paris, 15th - 24th September 2006
cover image: Gaspar Van Wittel, also said 'Vanvitelli' (Amersfoort, Utrecht, 1652/53 - Rome, 1736), View of Chiaia with the background of Mergellina in Naples,
Oil on canvas, cm 26,5 x 48,5
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Collezionismo internazionale a Palazzo Venezia (International Collecting at Venice Palace)
Rome, VI Biennale 'Art and Collecting at Venice Palace', 20th - 29th October 2006
Cover image: Matthias Stomer (Amersfoort, about 1600 - Sicily or North Italy, after 1650 or Palermo, 1681), Saul and the witch of Endor,
oil on canvas, cm 170 x 250
Provenance: Milan, Private collection; Wassenaar, H. Jochems collection (1970).
Expertise: Leonard J. Slatkes, oral art critic report, 3rd July 2002.
Literature: S. Bottari, Aggiunte al Manfredi, al Renieri e allo Stomer, in 'Arte Antica e Moderna', 29, 1965, pp. 57-60, picture 26b; B. Nicolson, The International Caravaggesque Movement. Lists of Pictures by Caravaggio and his Followers throughout Europe from 1590 to 1650, Oxford, 1979, p. 96, n. 1534; Idem, Caravaggism in Europe, Torino, 1989, I, p. 188, n. 1534 e III, n. 1534; A. Blankert, Utrechts Gouden Eeuw: Caravaggisten en Italianisanten uit Nederlands bezit, Utrecht (Centraal Museum), 2001. | 
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Vedute e Paesaggi del Grand Tour (Views and Landscapes of the 'Grand Tour')
Montecarlo, Hotel de Paris, 23th August - 7th September 2007
Cover image: Giovanni Antonio Canal, also said 'Canaletto' (Venice, 1697 - 1768), Venice, St. Mark's Square towards the 'Procuratie Nuove' and St. Geminian's Church from 'Campo San Basso',
oil on canvas, cm 47,5 x 77,5
Provenance: Josef Wenzel von Liechtenstein (1696-1772), Herrenstrasse, Wien, who probably bought it directly from Canaletto himself; prince Franz Josef I von Liechtenstein (1726-1787) from 1780; princes Liechtenstein's collection (1780-1951). | 
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Mint II Milano International Art Exhibition
edited by Marzia Moschetta
Milan, Castello Sforzesco, 21st - 25th November 2007
Cover image: Guido Reni (Bologna, 1575 - 1642), Head of young boy (Saint John),
oil on canvas, cm 42,5 x 42,5
Provenance: France, Marquis Mattei's collection. | 
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Maastricht 2008
edited by Consuelo Lollobrigida
Cover image: Gaspar Van Wittel, also said 'Vanvitelli' (Amersfoort, Utrecht, 1652/1653 - Rome, 1736), Rome, View of river Tevere from the Port of Riva Grande,
Oil on canvas, cm 49 x 97,5
Provenance: Bought in Italy at the end of XVIII by a noble French family; sale Sotheby's, London, 5th December 2007, lot. 74.
Bibliography: G. Briganti, Gaspar Van Wittel e l'origine della veduta settecentesca, Rome, 1966, p. 200, n. 83; Laura Laureati, Castel Sant'Angelo visto da sud, in G. Briganti, Gaspar Van Wittel, edited by Laura Laureati and Ludovica Trezzani, Milan, 1996, p. 183, cat. 144. | 
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Tesori di pittura italiana del XVII e XVIII secolo (Treasures of Italian Paintings of XVII and XVIII centuries)
edited by Marzia Moschetta (with Consuelo Lollobrigida's collaboration)
Rome, Summer - Fall 2008
Cover image: Gaspar Van Wittel, also said 'Vanvitelli' (Amersfoort, Utrecht, 1653 - Rome, 1736), Naples, the Dockyard with Castel Nuovo (New Castle) and Castel Sant'Elmo,
oil on canvas, cm 29,2 x 35,6 - Signed and dated on the boat low right: 'NAP GAS/VAN WITEL ROMA'
Provenance: European private collection (from about 1880 onwards). | 
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Rassegna di importanti dipinti dei secoli XVII e XVIII (Exhibition of XVII and XVIII century important paintings)
Maastricht, TEFAF 2009 (13rd - 22nd March 2009)
edited by Marzia Moschetta
Cover image: Bernardo Bellotto (Venice, 1722 - Warsaw, 1780), View of Rome with Colosseum and the Constantine Arch,
oil on canvas, cm 61 x 98
Provenance: Birkendal, Seekonk, Massachusetts; T. Gilbert Brouillette, Falmouth, Massachusetts; Mrs. Alivia Corchenuk de Buenfil, Ciudad de Mexico; Steven Juvenis and Firestone and Parson, U. S. A.
Bibliography: W. G. Constable, Canaletto, Giovanni Antonio Canal, 1697-1768, second edition edited by J. G. Links, Oxford, 1976, n. 388*; Bernardo Bellotto, 1722-1780, catalogue of the exhibit edited by Bozena A. Kowalczyk and M. da Cortà Fumei, 2001, p. 114, note n. 9 and p. 136. | 
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